{"id":12419,"date":"2026-11-12T12:56:38","date_gmt":"2026-11-12T12:56:38","guid":{"rendered":"https:\/\/jespernordal.dk\/?page_id=12419"},"modified":"2026-11-12T15:59:45","modified_gmt":"2026-11-12T15:59:45","slug":"oevning-en-blog","status":"publish","type":"page","link":"https:\/\/jespernordal.dk\/en\/oevning-en-blog\/","title":{"rendered":"\u00d8vning – en blog"},"content":{"rendered":"
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Her skriver jeg om d\u00e9t at \u00f8ve sig.
Mine egne erfaringer og hvad jeg kan finde af inspirerende og indsigtsfulde betragtninger.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Allerf\u00f8rst skal du beslutte, om du vil arbejde med din musik.
Hvis du vil udvikle musikken og dine evner, m\u00e5 du erkende, at det kr\u00e6ver noget – m\u00e5ske en del, arbejde fra din side.\u00a0
Det bliver dine egne personlige evner, s\u00e5 i dit valg af arbejdsmetode og -m\u00e6ngde, er du med til at danne dig som unik musiker.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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I den rytmiske musik, er vi ikke s\u00e5 bundet af normer og regler – man kan i h\u00f8j grad selv v\u00e6lge sin stil og sit personlige udtryk. Men vi kan alle h\u00f8re forskel p\u00e5 godt og d\u00e5rligt udf\u00f8rt musik, og ingen vil frivilligt spille d\u00e5rligt.\u00a0
I den rytmiske genre er vi ikke s\u00e5 \u00e5bne om \u00f8vem\u00e6ngde og strategi. Mange brander sig ligefrem med at v\u00e6re b\u00e5de selvl\u00e6rte og udelukkende improvisere sig igennem musikken. Man f\u00f8ler m\u00e5ske, at man fjerner “magien” ved at forklare og fremvise arbejdsprocessen hen imod ens evner. Vi er m\u00e5ske mere draget af fort\u00e6llingen om det enest\u00e5ende geni end om den h\u00e5rdtarbejdende kunstner, der m\u00e5 l\u00e6re det meste p\u00e5 den h\u00e5rde m\u00e5de.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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En anbefaling: podcasten “The Bulletproof Musician” er super god. Den endevender en masse metoder og er fyldt med gode og velunderbyggede r\u00e5d til d\u00e9t at \u00f8ve sig og performe. Link her:<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Allerf\u00f8rst skal du beslutte, om du vil arbejde med din musik.
Hvis du vil udvikle musikken og dine evner, m\u00e5 du erkende, at det kr\u00e6ver noget – m\u00e5ske en del, arbejde fra din side.\u00a0
Det bliver dine egne personlige evner, s\u00e5 i dit valg af arbejdsmetode og -m\u00e6ngde, er du med til at danne dig som unik musiker.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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I den rytmiske musik, er vi ikke s\u00e5 bundet af normer og regler – man kan i h\u00f8j grad selv v\u00e6lge sin stil og sit personlige udtryk. Men vi kan alle h\u00f8re forskel p\u00e5 godt og d\u00e5rligt udf\u00f8rt musik, og ingen vil frivilligt spille d\u00e5rligt.\u00a0
I den rytmiske genre er vi ikke s\u00e5 \u00e5bne om \u00f8vem\u00e6ngde og strategi. Mange brander sig ligefrem med at v\u00e6re b\u00e5de selvl\u00e6rte og udelukkende improvisere sig igennem musikken. Man f\u00f8ler m\u00e5ske, at man fjerner “magien” ved at forklare og fremvise arbejdsprocessen hen imod at udvikle ens evner. Vi er m\u00e5ske mere draget af fort\u00e6llingen om det enest\u00e5ende geni end om den h\u00e5rdtarbejdende kunstner, der m\u00e5 l\u00e6re det meste p\u00e5 den langsommelige m\u00e5de.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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En anbefaling: podcasten “The Bulletproof Musician” er super god. Den endevender en masse metoder og er fyldt med gode og velunderbyggede r\u00e5d til d\u00e9t at \u00f8ve sig og performe. Link her:<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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L\u00e6s fx denne fantastiske artikel om hvor l\u00e6nge du skal \u00f8ve:\u00a0https:\/\/bulletproofmusician.com\/how-many-hours-a-day-should-you-practice\/<\/a>
Om du \u00f8ver 10 minutter om dagen eller 8 timer m\u00e5 du nok selv finde ud af, men det centrale er at du selv tager stilling til det og laver din egen strategi. Og at du monitorerer og evaluerer hvad du l\u00e6rer.\u00a0
Og husk, at alle har v\u00e6ret omkring at \u00f8ve sig. Det er kun p\u00e5 Hogwarts at man arbejder med magi!\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i><\/span><\/i><\/span>Bill Frisell - \u00f8ve citater<\/span><\/i><\/div>

Guitar Player, 14\/6 2022<\/p>

Practice is Great (Up to a Point)<\/b><\/p>

I used to think that if you practiced real hard you get to this place where everything is just great all the time. But it\u2019s just not so. The joy is being in the process.\u00a0<\/p>

Anyone that says they\u2019ve got it completely together is lying.<\/p>

I\u2019ve seen that mess with people. You can\u2019t think, I\u2019m going to practice and get to this certain point and then I\u2019m going to do something. Because you\u2019ll never get there.\u00a0<\/p>

You just have to go for it right now and do the best you can, and just keep on pushing ahead.<\/p>

Don\u2019t Think for Others<\/b><\/p>

You\u2019re the only one who truly knows how successful you are.\u00a0<\/p>

If you\u2019re worried about what somebody else is going to think it\u2019s just another thing that gets in the way of doing it. Because you\u2019re never going to know what the audience is hearing.<\/p>

For me, the most honest way to perform is to think, I love this and I\u2019m going to do it as best I can.\u00a0<\/p>

If I\u2019m feeling some kind of joy in what I\u2019m doing, then hopefully the audience is going to hear that and get off on it. And if they don\u2019t hear it, well there\u2019s nothing I can do about that.<\/p>

Learn to Forget<\/b><\/p>

I know we need to practice our instruments, but you need to be able to shake that off when you\u2019re really trying to play the music.\u00a0<\/p>

I\u2019m in a privileged position because I have a lot of gigs, but if I practice all day and have all that stuff in my head later on at the gig it can be detrimental.<\/p>

Sometimes, you\u2019ll find there\u2019s stuff you can do in practice that you can\u2019t seem to bring into another scenario. You want to take it with you all the time, but it just doesn\u2019t work that way.\u00a0<\/p>

When you\u2019re on stage you\u2019re not in your own living room, y\u2019know?<\/p>

We have to practice and learn things. If I\u2019m learning a song, I want to get the song so deep down inside me that I\u2019m not thinking about mathematics or numbers \u2013 that place where it becomes automatic. Like if you\u2019re riding a bike, you\u2019re making a million calculations but you\u2019re not thinking about it.<\/p>

Sonny Rollins (one of my biggest heroes) said that music is happening too fast to be thinking about it while you\u2019re playing.\u00a0<\/p>

All About Jazz Forum<\/p>

Interviewer: Your approach to melody seems unique in that you break it down piece by piece until you are dissecting the elements of sound within the context of melody. Can you explain that process?<\/p>

Frisell: When I first started getting into jazz, I studied what was going on with the music theoretically and would look at things more in a mathematical way. I would look at the chords and learn what the chord tones were, what the scales were. But somewhere along the way, I tried to understand all the inner workings of the melody. If the melody isn’t there, then it really doesn’t mean anything. It’s also where it gets harder to explain. With every song, I’m trying to internalize the melody so strong that that’s the backbone for everything that I am playing no matter how abstract it becomes. Sometimes I’ll just play the melody over and over again and try to vary it slightly. It’s really coming from that, like trying to make the melody the thing that’s generating all the variations rather than some kind of theoretical mathematical approach.<\/p>

Popdose interview 30\/6 2013<\/p>

You have such a signature sound, and you\u2019ve been a part of so many wonderful records, that it\u2019s inspiring to hear you talk so openly about doubt, and see how fate could have conspired to send you in another direction.<\/b><\/p>

Oh, man, no. It\u2019s so fragile, the whole thing. I\u2019m the only one who really knows how successful I am when I\u2019m in the midst of playing or writing, and there are definitely a lot of ups and downs. Now there have been so many that I know I\u2019ll probably come out on the other side, but it\u2019s still unbelievably intense \u2014 it\u2019s hard to describe the feeling. With music, you can never finish<\/i> it, and whatever\u2019s out in front of you is as large as it was when you started playing. If you let that get to you\u2026you have to just be thankful for the opportunity to get into it every day, and not be overwhelmed that you\u2019ll never be able to finish it. Every record I\u2019ve made, I wanted it to be the best thing; I tried, tried, as hard as I could. I try to think, \u201cWell, I\u2019ll probably be able to make another one, so I\u2019ll try to get it right next time.\u201d<\/p>

I guess what I do more is not so much practicing, it\u2019s more trying to write, and the playing just kind of happens. I have my guitar all the time, but it isn\u2019t practicing the same way it was 30 or 40 years ago. I still do it, and I know I need to, but it\u2019s more about getting the music to come out with my fingers. You know?<\/p>

Barrycleveland.com<\/p>

‘I practice and prepare and do all this work, but it\u2019s like I\u2019m preparing to be ready for the unknown (…) The reason to practice and prepare is so you can take risks. I don\u2019t know if that\u2019s what creativity is, but it\u2019s just trying to stay in that place of uncertainty.’<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Her skriver jeg om d\u00e9t at \u00f8ve sig. Mine egne erfaringer og hvad jeg kan finde af inspirerende og indsigtsfulde betragtninger. Allerf\u00f8rst skal du beslutte, om du vil arbejde med din musik.Hvis du vil udvikle musikken og dine evner, m\u00e5 du erkende, at det kr\u00e6ver noget – m\u00e5ske en del, arbejde fra din side.\u00a0Det bliver […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_templately_pack_id":"","_templately_imported_at":"","_templately_source":"","_templately_import_session_id":"","site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-12419","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/jespernordal.dk\/en\/wp-json\/wp\/v2\/pages\/12419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jespernordal.dk\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jespernordal.dk\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jespernordal.dk\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jespernordal.dk\/en\/wp-json\/wp\/v2\/comments?post=12419"}],"version-history":[{"count":65,"href":"https:\/\/jespernordal.dk\/en\/wp-json\/wp\/v2\/pages\/12419\/revisions"}],"predecessor-version":[{"id":12485,"href":"https:\/\/jespernordal.dk\/en\/wp-json\/wp\/v2\/pages\/12419\/revisions\/12485"}],"wp:attachment":[{"href":"https:\/\/jespernordal.dk\/en\/wp-json\/wp\/v2\/media?parent=12419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}